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Type: Posts; User: anatole

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    Hello Ken, would you find an extended bright...

    Hello Ken,

    would you find an extended bright +5 beyond double blue +5 and around / between the ex bright b2, pos ex b7 and ex 4 ? or is it in the vanished area past ex 3 ?
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    that's a tough one! I can't really tell how I...

    that's a tough one! I can't really tell how I feel that +5. at the very best I might hear something like a less tense'ish when going down from the b7 to a +5, but when going up either from the b3 or...
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    Ken, is there any strategies when testing...

    Ken,

    is there any strategies when testing your tonic concerning the register high vs low ?
    for example in the blue b3 and double blue b2 example you posted, you test the tonic (A) at the end, on...
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    OK. I've seen the pictures on the news. Be...

    OK.
    I've seen the pictures on the news.

    Be careful. We hope you'll be all right.
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    OK. on the other hand, could you perceive some...

    OK.
    on the other hand, could you perceive some blue notes ratios with only x5 and x3 ?


    (quoted in post#16 from earlier conversation)




    how positive b7 (3x3x5x5) (maj3 over +4) (maj7 over...
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    Ken, can you extend what you meant by

    Ken, can you extend what you meant by
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    OK cool, I was just doing the test on the bass...

    OK cool, I was just doing the test on the bass playing the naturals harmonics.
    though the high g is played on the G string whereas the a - c# - e are played on the A string, which means I don't know...
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    OK. yes. OK. in your example, I found...

    OK. yes.



    OK.
    in your example, I found the c# - g [3 b7] really positive after having listened to the natural harmonics over tonic A
    I was wondering at that point could it be also heard as a...
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    very nice example. I understand you don't play...

    very nice example.

    I understand you don't play the 5 within that 7#9 chord (even though the 5 is still sounding within the 1),

    you don't want the 5 - b7 and 5 - b3 connections to conflict with...
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    Hello Ken, very interesting. many things were...

    Hello Ken,
    very interesting.
    many things were said.


    why do you say positive flows from a tonic "lead" to negative numbers ?
    does it has to do with a balancing strategy or not at all ?
    I...
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    hello Ken, cool last two posts. so when you...

    hello Ken,
    cool last two posts.

    so when you sing in harmony a tritone you may sing a 11:8 because it's naturally in tune and it locks/resonates better ? hence its bright/positive feeling (in this...
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    yes OK. when you say hear you do mean...

    yes OK.



    when you say hear you do mean perceive like ? does it happens with the same note (on the piano) or is it by bending on the guitar or because this note is played/voiced at one or two...
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    BTW, is there a difference between...

    BTW,

    is there a difference between "extensions" and coexisting tonics ?

    is there a difference between hearing contour or hearing equal division of the octave ? with EDO it feels like there is...
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    Ken, reading your book was definitely cool,...

    Ken, reading your book was definitely cool,
    really appreciate the precision of the language, really interesting, it's one of a kind.

    BTW. the chapter about Form ( ~Repetition) was really...
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    Ken I got your book @B&N, it's really the...

    Ken I got your book @B&N,
    it's really the language of intervals and the listening to the sound thing.

    it's quite remarkable. congratulations.
    really, it's cool.




    OK for it. very nice...
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    yes it is what I meant by lydian tonic interval!...

    yes it is what I meant by lydian tonic interval!
    though I don't understand what you meant by "can't go wrong".. (sometimes I miss some stuffs as I'm not a native speaker, though I find it cool not...
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    I don't get it, do you mean "can't go wrong with...

    I don't get it, do you mean "can't go wrong with a [single/unique?] Tonic" ?
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    hey Ken, sorry for posting two posts at a time, ...

    hey Ken, sorry for posting two posts at a time,
    this one I posted just before AAJ's forum got shut down.



    really really interesting Ken thank you,

    you know I play (a little) C flute to...
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    OK nevermind. I was looking for you on the...

    OK nevermind.
    I was looking for you on the interweb's, I went on facebook, and I also sent you an email at your band website,
    BTW nice songs Ken, you're a good singer. well from what it lets see,...
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    I sent you a message on facebook did you get it...

    I sent you a message on facebook did you get it eventually?
    I hate it they let down the forum at all about jazz, at least they are realizing the good things that's been buried in the process. ...
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    is timbre (ie. instrument tone) also acting as a...

    is timbre (ie. instrument tone) also acting as a tendency or basically it has to do with ?
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