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Type: Posts; User: motherlode

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    On interval content alone ...

    On interval content alone ...
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    The Interval Vector

    @nuffink

    Briefly, I'm choosing my writing material based on the interval vector such as ...
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    By subtracting the 1st number from the last of...

    By subtracting the 1st number from the last of each PCS. The one with the lowest number is the choice (barring a tie).
    Then that number is reduced to the fixed 'do' ...from there the interval...
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    Ah Yes, the computer! And how does the computer...

    Ah Yes, the computer! And how does the computer compare?

    The chord structure was produced from SonicMigration.
    8041

    Chord tones: Eb E Gb Ab B Db ---> Transposed to the fixed 'do': C ...
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    I don't know whose method I've learned to...

    I don't know whose method I've learned to determine the primes, but so far it's been flawless.
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    I found an interesting comment regarding Allen...

    I found an interesting comment regarding Allen Forte and PCS; I didn't realize that a controversy existed.
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    Rotating the prime is simply revoicing the notes....

    Rotating the prime is simply revoicing the notes. If you would like for the prime to spell a dom7 you'd have to invert it. Let's look at it as notes:

    Prime (0258): C .. D .. F .. Ab
    Inverted...
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    Nuffink wrote regarding PCS technique ... ...

    Nuffink wrote regarding PCS technique ...

    Please refer to the Appendix for a two-page table of all possible prime forms of Pitch Class Sets. This table is an indispensable aid for composer …
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    Yes.

    Yes.
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    (IIm7-bII7-IM7) = Fm7-E7-EbM7

    (IIm7-bII7-IM7) = Fm7-E7-EbM7
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    @nuffink Thank you for the additional...

    @nuffink

    Thank you for the additional information.
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    @nuffink In an old thread some months ago, you...

    @nuffink

    In an old thread some months ago, you recommended an article on Pitch-Class Set Analysis. I downloaded it and went through it ... it's an excellent article!
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    Yes.

    Yes.
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    A last statement re: CDR

    The music returns to the tonal center from the sharp-side (1) step away. Nothing unusual about that…and that’s precisely the problem.

    ……………………….........…………….CDR...
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