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    https://ibreathemusic.com/forums/showthread.php?20...

    https://ibreathemusic.com/forums/showthread.php?20809-What-Mode-Are-These-Progressions&p=156549&viewfull=1#post156549


    as we do hear harmonics, the b7 may be the go-to for anyone ?
    so the sus...
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    http://freejazzinstitute.com/showposts.php?dept=di...

    http://freejazzinstitute.com/showposts.php?dept=discussions&topic=20181202122000_anatole_





    ML, I understood this is a method to resolve smoothly into the new key by placing at the top /...
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    OK. thanks for the message, you're right, I...

    Why? Because look how you wrote the example. You used (2) different instruments of different color.
    You gave the melody to one, and a chord to the other. You separated the music into (2) parts,...
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    ok.

    ok.
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    http://freejazzinstitute.com/showposts.php?dept=di...

    http://freejazzinstitute.com/showposts.php?dept=discussions&topic=20181202122000_anatole_

    if one would listen to each chord one after another (pausing the track), its top note, even though...
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    @ML very interesting point indeed, is it OK to...

    @ML
    very interesting point indeed, is it OK to you to tell some examples of those chords voicings slaved to a melody in C major ?

    does the chords really matter to create an overall tonic / tonal...
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    really great answers Ken, thank you for sharing....

    really great answers Ken, thank you for sharing.
    it's cool really.


    I'm afraid it's gone with the allaboutjazz forum. that's a shame. I think I might remember you evoking key centering in the...
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    Ken, so what happens really when one try to...

    Ken,

    so what happens really when one try to hold singing a descending maj 2nd from the I over a tonic I chord ?
    it may harmonize with the I chord sounding a blue b7 (8:7 tonic high) ? could you...
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    Hello Ken, what did you mean by key centering...

    Hello Ken,

    what did you mean by key centering ?
    how does key centering happen when playing monophonically / a capella ?

    thank you!
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    is there really a road to b7 !? ain't it only...

    is there really a road to b7 !? ain't it only directly that it connects to its tonic nevertheless the other connections and that what is tricky about it ? on the piano If I play an 1 3 5 b7 arpeggio...
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    OK great! what are almost tonics ? why did...

    OK great!

    what are almost tonics ?
    why did you write watch out for coexisting tonics next to dark pos b3 (5 b6) ?
    are expended and suspended the sounds of necessarily two connections (5 5) and...
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    yes OK. when you're looking at connections on...

    yes OK.

    when you're looking at connections on the chart, is the left-to-right-reading-order important ?
    (I understand there are the pos dark b3 and the neg dark b3)
    so pos dark does exist ? so...
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    Hello Ken, would you find an extended bright...

    Hello Ken,

    would you find an extended bright +5 beyond double blue +5 and around / between the ex bright b2, pos ex b7 and ex 4 ? or is it in the vanished area past ex 3 ?
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    that's a tough one! I can't really tell how I...

    that's a tough one! I can't really tell how I feel that +5. at the very best I might hear something like a less tense'ish when going down from the b7 to a +5, but when going up either from the b3 or...
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    Ken, is there any strategies when testing...

    Ken,

    is there any strategies when testing your tonic concerning the register high vs low ?
    for example in the blue b3 and double blue b2 example you posted, you test the tonic (A) at the end, on...
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    OK. I've seen the pictures on the news. Be...

    OK.
    I've seen the pictures on the news.

    Be careful. We hope you'll be all right.
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    OK. on the other hand, could you perceive some...

    OK.
    on the other hand, could you perceive some blue notes ratios with only x5 and x3 ?


    (quoted in post#16 from earlier conversation)




    how positive b7 (3x3x5x5) (maj3 over +4) (maj7 over...
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    Ken, can you extend what you meant by

    Ken, can you extend what you meant by
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    OK cool, I was just doing the test on the bass...

    OK cool, I was just doing the test on the bass playing the naturals harmonics.
    though the high g is played on the G string whereas the a - c# - e are played on the A string, which means I don't know...
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    OK. yes. OK. in your example, I found...

    OK. yes.



    OK.
    in your example, I found the c# - g [3 b7] really positive after having listened to the natural harmonics over tonic A
    I was wondering at that point could it be also heard as a...
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    very nice example. I understand you don't play...

    very nice example.

    I understand you don't play the 5 within that 7#9 chord (even though the 5 is still sounding within the 1),

    you don't want the 5 - b7 and 5 - b3 connections to conflict with...
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    Hello Ken, very interesting. many things were...

    Hello Ken,
    very interesting.
    many things were said.


    why do you say positive flows from a tonic "lead" to negative numbers ?
    does it has to do with a balancing strategy or not at all ?
    I...
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    hello Ken, cool last two posts. so when you...

    hello Ken,
    cool last two posts.

    so when you sing in harmony a tritone you may sing a 11:8 because it's naturally in tune and it locks/resonates better ? hence its bright/positive feeling (in this...
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    yes OK. when you say hear you do mean...

    yes OK.



    when you say hear you do mean perceive like ? does it happens with the same note (on the piano) or is it by bending on the guitar or because this note is played/voiced at one or two...
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    BTW, is there a difference between...

    BTW,

    is there a difference between "extensions" and coexisting tonics ?

    is there a difference between hearing contour or hearing equal division of the octave ? with EDO it feels like there is...
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