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iBreatheMusic.com -- The Pulse
Issue #3 -- 30 October 2002
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In this issue

@ Introduction
@ What's New on IBreathe
@ Pulse Bites: Free Eartraining Software
@ Eric's Shred 101-Lick
@ Member Spotlight: EricV
@ Sizzling Hot Topics

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Introduction

Hello all, and welcome to issue #3 of 'The Pulse'.

This issue has become somewhat of a Eric Vandenberg feature - and yes,
he has earned it!!! Eric wrote a very nice article with the title 'Be
Creative!', which goes hand in hand with a lot of discussions recently
held in the forums.

As you probably know Eric is one of the driving members on the
iBreatheMusic site, so he's the first one to be featured in the
'Member Spotlight', that will be part of every future issue of the
Pulse. And on top of this Eric presents you another shred lick.

Till next time,

Guni

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New Articles on iBreatheMusic

BE CREATIVE !
by Eric Vandenberg

Need some ideas on approaching a solo ? Are you stuck in a rut with
your soloing ? Well, maybe I can give you some ideas with this
article...

http://www.ibreathemusic.com/article/96


MOTIVES
by Bruce Saunders

In our zeal to understand exactly how the masters of improvisation
work their way through all sorts of chord changes, we sometimes
overlook the most obvious. What I am proposing is a simple idea that
happens to be very difficult to execute: motives

http://www.ibreathemusic.com/article/78


JOHNNY SMITH GOES FULL CIRCLE
by Charles H. Chapman

Besides being one of the greatest guitar players that ever lived,
Johnny Smith is a remarkable human being. In this interview he took me
on his lifetime journey with guitar manufacturers and also shed some
light on other aspects of his life ...

http://www.ibreathemusic.com/article/83


MAILBAG: PICKING / SMOOTHING IT OUT
by Eric Vandenberg

After all the articles on picking, here is a final one focussing on
our discussions of picking at the forums and per Email... and
introducing the next step

http://www.ibreathemusic.com/article/72


TEACHING BY TRAVEL BROCHURE
by Jamie Andreas

Many guitar players, along the course of their lives, become guitar
teachers. They are often people who have a good amount of what is
called "natural talent".The problem comes when these people start to
"guide" others to do the same thing ...

http://www.ibreathemusic.com/article/79


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Pulse Bites: Free Eartraining Software

There are a bunch of free tools available on the web that will help
you with training your ear. I haven't tested them all yet, but so far
these are my favourites:

Musictheory.net: http://www.musictheory.net
BigEars: http://www.ossmann.com/bigears/
Eartrainer: http://www.synchron.de/EARTRAINER/
GNU-Solfege: http://solfege.sourceforge.net/

more:
Eartraining Software: http://155.135.13.65/EarTraining/
Good-Ear: http://www.good-ear.com/

And there are a whole lot more listed at harmony central:
http://www.harmony-central.com/Software/Windows/ear_training.html

Happy eartraining!!

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Eric's Shred 101-Lick

Sweeping is a cool technique. Often, you find yourself kinda getting
stuck with the same old patterns and sweeping-cliches. One cool thing
I tried was, instead of sweeping the regular minor and major-triads, I
used sus2 (1-2-5) triads. Those are a bit harder to fret for the left
hand, but I really like the sound of those... here's a sweep
picking-lick utilizing sus2-triads...

Have fun!



   (Esus2)                          (Dsus2)
   Gtr I
   |------6------| |------6-------| |------6------| |------6------|

||-----14-19p14---------14-19p14--------12-17p12--------12-17p12-----||
||---17---------17---17----------17---15---------15---15---------15--||
||-16--------------16---------------14--------------14---------------||
||-------------------------------------------------------------------||
||-------------------------------------------------------------------||
||-------------------------------------------------------------------||
   ^ ^  ^ V     V  ^  ^  ^ V     V  ^  ^ ^  V    V   ^ ^ ^  V     V 


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Member Spotlight: EricV

Real Name: Eric Vandenberg

How and when did you get started with music?
At age 10... I saw a video clip of Van Halen, pointed at the screen
and said 'That's what I wanna do!'. I wasn't good at saving money
(still ain't) so after I had saved up half of the money I'd have to
pay for a guitar, my grandpa gave me the rest and I got my first
acoustic guitar... never stopped playing ever since... 

How did you come across iBreatheMusic.com?
One day in 99, I found guitar4u.com, and I offered to write articles
for Guni. I have been writing for G4u and later iBreathe ever since
(on and off) 

What styles of music do you play?
Well, I'd consider myself a rock guitarists, my influences include
both shredders and, believe it or not, blues-guitarists. So that's my
favorite style. With my band, I do instrumental rock. But as a hired
gun and studio-player (and instructor), I often have to play a lot of
different styles, like country, fusion, metal, pop... and it's fun! 

Who are your biggest influences?
Uhmmm... tough to narrow it down to just a few. My initial influences
were Eddie Van Halen and Jimi Hendrix. Later, I got into Joe
Satriani's and Jeff Beck's music. Regarding discipline, technique and
stuff, Steve Morse, Paul Gilbert and Greg Howe were HUGE influences
and still are, and then there were guys like Vai, Greg Howe, Eric
Johnson, Andy Timmons, Abi von Reininghaus, Brett Garsed... the list
could be considered endless ... =) 

What gear do you use?
I use less these days than I used to use a while ago. Rack-stuff only
in the studio. Main guitars: Heavily modded Peavey Vandenbergs, Fender
Strat, Staufer Tele... Amps: Laney Chrome-O-Zone Combo, heavily modded
Marshall JMP1... effects: mainly, stompboxes by Boss these days, misc.
stuff: DiMarzio pickups (Tone Zone, Double Whammy... ), D'Addario
strings... 

What are you up to at the moment?
Working on the first album of the Eric Vandenberg Band, 'Talking
Hands' (which has been postponed yet again, but it will come out one
day, believe me... =) ); writing and recording with country-singer W.
Malende; just finished recording a few acoustic tunes with a great
singer, her name's Andrea; coaching a young metal-band called
Perpetuum Overdose; various songwriting collaborations and
recording-sessions, 'hired gun'-stuff... Also still teaching a lot...

What's your favorite music-related website? (other than iBM of
course!) 
I certainly like to occasionaly check on the sites of some of my
favorite players, like www.stevemorse.com. I really like Vais site
www.vai.com, because he shares some personal stuff, like his old
journals... lots of stuff to read up on. Other than that, I usually go
to www.96rock.com to listen to this Atlanta rock-radio station online
while I work on the computer. And for pure information, I really do
like www.harmony-central.com. Their user-reviews sometimes are really
helpful, and they have a bunch of interesting news regarding gear
etc.

What formal training have you had?
At first, I taught myself, using some books and magazines. Then I took
lessons from a local guy who played in a cover-band. He didn't have
much time to teach, so I tried to squeeze as much as possible out of
those lessons. Most importantly, he inspired and motivated me, and he
also taught me what it takes to make a living playing music. A few
years later, I attended the GIT in North Hollywood / CA. I financed
that myself since my parents were gone already at that time. This time
was very important to me, I still consider it a really good decision.
Two years, completely consumed and surrounded by music, with some
great instructors and players around me... I learned so much and took
home impressions and new ideas that will last for many years... 

What is the most important thing you have learned from a music
teacher? 
1. That you can't know and play EVERYTHING. You can try, but you
should pick what you like what's right for you 
2. That there actually is more to understand in theory than there is
to learn. 
3. To be versatile, so I'd be able to work in different musical
environments. My teacher opened a lot of doors by teaching me songs
from many different styles.

What was your biggest on stage embarassment?
When I had to sing the first time. I had to sing 'Hey Joe', and
believe it or not, I forgot the second verse, so I had to make up some
lines. I don't know whether the crowd noticed. They liked it tough (I
made up for the crappy vocals by playing an extended solo). At that
same show, there was a technical problem with my guitar (I had only
one with me). I had replaced a pickup the night before and obviously
did a bad job. All of a sudden, there wasn't a sound coming out of it
anymore (I guess I hadn't done a good job soldering). This was in the
middle of Sabbaths 'Paranoid'. I spent the first half of the solo
bitting the guitar with my fist. That temporarily fixed the problem,
and I played the solo. The people loved it, they thought it was part
of my stage-act... 

What were some of the biggest breakthroughs you had in your learning
of music theory? (Ya know, something which made you go, 'Wow, now that
I know this, it opens up a whole new world to me!')
Great questions! This might sound stupid, but for me the first big
breakthrough was when I noticed what 'the guitar is a chromatic
instrument' means. That you could take an A Major chord, move it up
one fret and it would be a Bb Major. Before that, I had thought I had
to memorize all those thousands of chords. After that, I started to
understand the modal system, harmonisation... that was such a great
feel and helped me to understand so many things. 

What practice technique you use do you feel has paid off the most
handsomely in its effect on the way you play?
Using a metronome helped tremendously. I didn't do so in the
beginning, and my timing often was way off. Next to actual REAL
practising with a metronome, I used to 'noodle' around in front of the
TV constantly, for hours... just to keep my hands moving. In
combination with focussed practising, it helped. Also, I always jammed
on a song or two after practising, so I was immediately putting my
exercises and licks into a musical context, which I consider very
important. And, I had a friend who used to come over on Friday night,
and before we sat down to talk and watch TV and stuff, I used to play
for him, show him what I had learned, songs, licks. He always was very
patient and also very critical. Playing in front of (even such a
small) some audience helped me a lot to get over my stagefright and to
feel kinda relaxed when I went onstage the first time... 

How long did you play before you had your first paying gig?
Well... lemme think... I started at age 10, started taking lessons a
few months later... I think I was 12 or 13 when I performed in front
of an audience the first time, jamming over some songs at some
impromptu session. My first actual gig with my own band was at age 15.
For the second gig, I was paid... it was a graduation party of a
friend, and all the parents threw some change into a hat... I got
about 80 bucks in spare change... My pants were almost coming off
because they were pulled down by all the spare change in my pockets...
while I was on stage. I went home and went to my dad, who wasn't too
fond of me playing music... I showed him the money, all proud... he
looked at it and said 'And you wanna live on that for the rest of your
life?!?'

Do you have any interests (apart from iBreathe of course!)?
If I have the time... yes. I do like to read (Lovecraft, Tad Williams,
Dan Simmons, music-biographies), occasionally watch movies (last ones
I really liked 'Road To Perdition', 'The Ring'... ), and hang out with
some old friends to get away from music every once in a while... 

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Sizzling Hot Topics

Live playing vs. living room playing
http://www.ibreathemusic.com/forums/showthread.php?threadid=338

Motivic?
http://www.ibreathemusic.com/forums/showthread.php?threadid=490

i want to further my self as a guitarist
http://www.ibreathemusic.com/forums/showthread.php?threadid=453

perfect pitch training disks
http://www.ibreathemusic.com/forums/showthread.php?threadid=157

Carlton
http://www.ibreathemusic.com/forums/showthread.php?threadid=331


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