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09 May 2003 - Issue 11 |
In this issue @ Introduction @ What's New on IBreathe @ Pulse Bites: What makes you tick? @ Essential Listening @ Eric's Shred 101-Lick @ Students charged for p2p @ Sizzling Hot Forum Topics | ||
| Introduction Hello all, and welcome to issue #11 of 'The Pulse'. Are you interested in becoming an editor for 'The Pulse'? Is there a column you can imagine that would be cool and that you would like to maintain? Maybe about the music industry or about cool resources on the Net, maybe about inner workings and psychological makeup of the musicians brain, .. we are open to any ideas whatsoever. So, if you've got something to say, contact us by sending an email to ThePulse@iBreatheMusic.com. New Reviews on iBreathe All reviews can be found at http://www.ibreathemusic.com/reviews Rock Discipline by John Petrucci Rock Fusion by Brett Garsed High Shred Techs by Francesco Fareri The Advancing Guitarist by Mick Goodrick Open Ears: A Journey Through Life With Guitar in Hand by Steve Morse | ||
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| Pulse Bites: What makes you tick? Now here comes a very weired topic but lately I've been thinking about this a lot. A few weeks ago I started to write an article about how it was when I started out, what problems I encountered, what the major hurdles were , etc.. etc ... and yes, I GOT STUCK! The article forced me to answer a few questions in the first place: Why did I pick up the guitar? Why did I continue despite the fact of blisters? Was music intentionally picked or was it just an accident, like today I might become a master in playing computer games.... What was it when I started out that got me hooked? Satisfaction of being able to gain control over my doings in this field, opposed to a static school environement? Was it just that it was just damn cool? Was it a way to deal with aggression, life, generation X???? .... Then a few more questions poped up. What is your/my ultimate vision. I mean it must be there otherwise why would we go through the hassle. Is it a picture of you on stage? Is it a special lick? A technique that let's other drop their jaws? Writing songs? A feeling? ... Actually I can give you my current answer: I have a vision of one single note being played with all I got inside me - with all who I am. I picture this 'sound' being somewhere around the 12th or 15th fret and it's gotta be a bend - a hell of a bend :-) Ok, call me crazy, whatever .... but I'd be interested in hearing your experiences, dreams, visions. What makes you tick? The corresponding forum thread can be found here: http://www.ibreathemusic.com/forums/showthread.php?threadid=1362 Guni | ||
| Essential Listening: Steve Morse Band Starting with this issue of 'The Pulse', we'll have a new feature: Essential Listening. In each new issue of the Pulse, I will quickly introduce a cool classic or rather recent album which I consider worth checking out... some 'essential guitar records' and some albums that should be interesting for everyone (although those guitar records are definitely not for guitarists only!) No.1: 'The Introduction' by The Steve Morse Band (good choice for a start, huh?) Original release: 1984 Line-Up: Steve Morse (g), Jerry Peek (b), Rod Morgenstein (dr/keys) Guests: Albert Lee (g), T. Lavitz (piano) This first album of the Steve Morse Band still is a classic among both guitar-players and fusion-freaks. The SMB sounded a bit more rock-influenced than the Dixie Dregs (Morse's and Morgenstein's former band), but still maintained a wide mix of musical styles. The album kicks off with the rocking 'Cruise Missile' (still a regular part of SMB-setlists) with some really nice bass-soloing by Peek. Next up is 'General Lee', with Morse and Albert Lee trading leads. The title-track is one of my favorite guitar instrumentals, with a beautiful mid-section (the clean part) and a great, melodic solo. Other tracks include 'Mountain Waltz' (wonderful piano-playing by Lavitz), the lush, slowly-building 'The Whistle', 'On The Pipe' (another Morse-standard with some killer-licks) and more... Bottom-Line: What a great debut. Even though the recording and sounds might seem a bit outdated these days, this one is a classic, and it's still very enjoyable to listen to it. The guitar-work is amazing. This album isn't often mentioned as a 'classic', but it sure influenced a lot of players (i.e. John Petrucci... ) So, check it out ! ![]() This CD is available at Amazon.com: http://www.amazon.com/exec/obidos/ASIN/B000002H29/guitar4u | ||
| Sizzling Hot Forum Topics New metallica album http://www.ibreathemusic.com/forums/showthread.php?threadid=1126 practical theory http://www.ibreathemusic.com/forums/showthread.php?threadid=1323 shredding and shredders http://www.ibreathemusic.com/forums/showthread.php?threadid=1267 Need to confirm so stuff about modes http://www.ibreathemusic.com/forums/showthread.php?threadid=1206 SMRO: Picking Exercise http://www.ibreathemusic.com/forums/showthread.php?threadid=1263 | ||
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